, U.Va.


Interview with Robert Chapel

Welcome back to the blog! Today we managed to track down the elusive Bob Chapel and were able to ask him a few questions about his production of Company, which runs through Friday!

Hi Bob! Congratulations on a wonderful opening weekend! The buzz around the show is already amazing, and we wanted to do a quick follow up with you to learn a little more about you and the creative team’s process. You've been an integral part of the Heritage Theatre Festival for many, many years now - what was the process like when it came to deciding to direct Company? Did you bring the show to Colleen Kelly? Or was it something she wanted to do and knew you were the one for the job?

Colleen selected the show.  She called me up and asked if I would like to direct it and I said “yes."

Simple as that! That’s great. You and the designers have set the show in the 1970s - when the musical was originally written. What about the show made you want to ground it in that period?

Although the show is centered around the institution of marriage and deals with issues that are as relevant today as way back when, there are certain references that are very 1970s — “Will you call me tomorrow, or my service will explain” and scenes such as the dope smoking scene that would seem a bit dated were the show to be set in today’s world.  I also believe that there is less pressure to “be married” today than it was in the 70s.  The last production of the show on Broadway was a radical rendition with the cast also playing the instruments on stage.  I decided I wanted our audience to see what is a bit closer to what they would have seen when it was originally produced.  It was the show that really started to propel Stephen Sondheim onward to his extraordinary successes.

Company is a deeply personal musical, interlaced with a lot of wild characters and some pretty whacky moments - what work have you had to do with the cast to balance the comedy with the drama?

I always want my actors to play the truth — whether playing comedy or seriously dramatic moments (of which there a few in “Company”).  Comedy is very serious business and if actors commit to the moment, the situation, chances are the comedy will shine through.  I fortunately have a company of actors who understand this completely.  I am pleased with our comic moments and our serious moments throughout the evening.

So trusting the script and the performances to make that happen, that’s great. And now a little soft-ball: what has been your favorite part of working on Company this summer?

Working with this extraordinary cast — not only very talented but also very nice people.  Every day was a pleasure from beginning to opening night.

Thanks Bob, and congrats again on such a wonderful production. We wish you and the cast many broken legs for the rest of the run!

If for some reason you haven’t yet, go ahead and grab tickets from the box office tab at the top of the page!

Baskerville soars! And Company is waiting in the wings!

Can you believe it?! Only a week and a half until Heritage Theatre Festival says so long (farewell, auf wiedersehen, goodbye) to our 2017 season. It’s been awhile since we checked in with you all here, these last two Main Stage shows have taken a ton of effort from everyone around the festival, and if you can make it out to see them, we think you’ll understand why!

Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, is in the middle of its ALMOST ENTIRELY SOLD OUT run right now. And the audience feedback has been amazing. As you may have seen we’ve even had to add another performance this Saturday! Don’t miss this show! It’s a wonderful, madcap adventure, full of laughs and thrills, and one of the more technically intricate shows we’ve put on. Our production of Baskerville has over 200 technical cues, more than 100 costume changes, and features an entirely original score by Composer and Sound Designer Michael Rasbury. Tech week was especially crazy for this one! But now that it’s on its feet and running the production has been a true joy for all involved. Check out the box office link above to snag tickets for you and your friends.

While you’re there, don’t forget to get your tickets for Company, directed by the one and only Robert Chapel. Bob has assembled an exceptionally talented group of actors, designers, and technicians to tackle the challenge of a Steven Sondheim musical. While our production is set in the 70s, the themes it presents are timeless and several songs are considered to be among the best in all of musical theatre. Late last week the cast of Company got together with the orchestra to do what is known as Sitzprobe, a full sing-thru of the musical making sure that the actors and the orchestra are on the same page. Then right from that tech started! Moving platforms, magic candles, you name it and this show has it. Tech week has gone excellently here, and Thursday is the final dress rehearsal (basically a practice performance); after that Company is off to the races - and we couldn’t be happier. One of the actors said to us “all the show needs now, is an audience.” That’s where you come in dear readers! Get your tickets for Company here!

This is normally where we’d sign off, but like an old infomercial “There’s MORE!” Closing out our 2017 season is Barry Lubin as “Grandma” - one of the signature clowns of The Big Apple Circus. We also have a few other events on the topic of Clowning and the wonderful impact it can have on many different aspects of our lives - check out our Facebook page or the special events page on our website for more details! Well that’s it for us! Hope to see you at the theatre this weekend!

Heritage Theatre Festival to present Stephen Sondheim's Musical Masterpiece COMPANY



Sondheim’s Groundbreaking 1970 Musical Explores Many Sides of Commitment Through Story of Bachelor on His 35th Birthday And the Lessons He Learns From the Couples Around Him

Featuring All-Time-Classic Sondheim Songs Including “Being Alive” and “The Ladies Who Lunch”

Directed by Former Heritage Producing Artistic Director Robert Chapel

CHARLOTTESVILLE, VA – July 21, 2017 – Heritage Theatre Festival is wrapping up its 2017 season with one of the all-time classic American musicals when it presents Stephen Sondheim’s Company.  The production will be directed by longtime Heritage Producing Artistic Director Robert Chapel, returning to HTF for the first time since his retirement in 2015.

Company, with music and lyrics by Stephen Sondheim and book by George Furth, will be presented in the Culbreth Theatre from July 28 through August 4.  Tickets for Company are $30 if purchased before July 28 and $35 if purchased on or after that date.  Student/Child tickets are available for $15 regardless of when purchased.  Tickets for this and all 2017 Heritage Theatre Festival shows are available at the UVA Arts Box Office (located in the lobby of the Drama Building), online at www.heritagetheatrefestival.org or by phone at 434-924-3376.

Company, first presented on Broadway in 1970 when it earned a record-setting 14 Tony nominations and won six Tony Awards, is the story of Bobby, a bachelor celebrating his 35th birthday on the outside looking in at the world of relationships and commitment.  Revolutionary at the time as one of Broadway’s first non-linear musicals, Company was originally conceived by Furth as 11 different one-act plays.  The plays and the subject matter, a no-punches-pulled look at upper-middle-class New York marriages, appealed to Sondheim.  He shared them with legendary Broadway producer Hal Prince, who agreed there was indeed a musical there.

In each vignette, Bobby is surrounded by different couples he knows, and he gets and shares an intimate an unvarnished look at their various relationships while they look back at him and his carefree independence with a good bit of envy.  The show is Sondheim at his brilliant and often caustic best, featuring a treasure trove of unforgettable numbers including “Being Alive,” “The Ladies Who Lunch,” “Marry Me a Little,” “Side by Side by Side,” and more.

While Company marks the end of the “official” 2017 Heritage season, there is a special treat in store for audiences of all ages when International Clown Hall of Fame member Barry Lubin, the face of the Big Apple Circus, brings his iconic and irrepressible character “Grandma” for performances in the Ruth Caplin Theatre on August 4 and 5.

Parking for Heritage Theatre Festival performances is available at the Culbreth Road Parking Garage, conveniently located alongside the theatres.

Nathan Whitmer as Robert (left), Timothy Read as Larry, and Lydia Horan as Joanne.

Heritage Theatre Festival to present Ken Ludwig's BASKERVILLE: A SHERLOCK HOLMES MYSTERY

The game is definitely afoot this summer at Heritage Theatre Festival thanks to its upcoming production of Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery – opening July 22 in the Ruth Caplin Theatre.

Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, directed by Colleen Kelly and Marianne Kubik, will be presented in the Ruth Caplin Theatre from July 22-29. Tickets are $25 if purchased before July 22 and $30 if purchased on or after that date. Student/Child tickets are available for $15 regardless of when purchased. Tickets for this and all 2017 Heritage Theatre Festival shows are available at the UVA Arts Box Office (located in the lobby of the Drama Building), online at www.heritagetheatrefestival.org or by phone at 434-924-3376.

The world’s most famous detective and his trusty sidekick Watson face down their most notorious case of all in this madcap retelling of the ultimate Victorian whodunit from the “mastermind of mayhem” Ken Ludwig. A stunningly nimble cast of five takes on nearly 40 characters, coming on and off stage almost as quickly as the twists and turns of this delightfully complex plot, as Holmes and Watson race against time to crack the mystery of The Hound of the Baskervilles before a family curse dooms its newest heir. The intrepid investigators’ search for the (anything but elementary) truth comes complete with a dizzying web of clues, outlandish accents, disguises, and deceit.  Does a wild hellhound prowl the moors of Devonshire? Can our heroes discover the truth in time?  Can costume changes really be that fast?  These and many more questions are just waiting to be answered!

Co-director Marianne Kubik said she was drawn to the story by its deft mixing of comedy and drama. “Ken Ludwig puts the entire Hound of the Baskervilles plot into this story,” she said. “But the unique thing that really starts to move it into the more madcap comic realm is that he has taken five actors and dispersed them across 38 roles. Two of these actors spend the entire play as Holmes and Watson. So there is a lot of energy and excitement in seeing these remaining three actors playing these multiple roles, often in the same scene. Then you add the fact that this is set in Victorian times and features period costumes and you have full costume changes that are happening sometimes in 20 or 30 seconds.”

Those changes, Kelly said are nothing new to Heritage Costume Designer Dorothy Smith, a veteran of the “Tuna” plays that proved a hit with Heritage audiences and featured only two actors in a similar number of roles.

The pace and complexity is hardly conveyed by sets and costumes alone, Kelly said, but falls largely on the show’s cast. “In addition to costume changes, our actors are often doing scene shifts,” she said. “They may carry a chair into a scene, or they may suddenly grab a door and walk through it.  They are really creating the environment or the audience.”  These added responsibilities plus a summer season rehearsal schedule made casting particularly important, she said.  “Both Marianne and I wanted to work with actors we knew and trusted, people we knew we could start with on day one, since we didn’t have the time to figure out how to work together.”

The cast includes UVA Drama MFA students Michael Miranda and Sam Reeder and Drama faculty member Denise Stewart, a Heritage audience favorite from roles in shows including Shear Madness.  Playing the roles of Holmes and Watson are Mark Jeter and Jeremy West.  “Not only do I know them and have worked with them,” Kelly said, “but they have also worked together before and really understand how each other works.”

Another element that is helping to set the many scenes is an original soundscape for the show created by Sound Designer and UVA Drama Department faculty member Michael Rasbury.  “Michael has composed an underscore of music for the entire show,” Kubik said.  “So you have chase music for a chase scene, for instance, and danger music when the hounds are imminent.”  The soundscape is complemented by a visual landscape created by Lighting Designer R. Lee Kennedy and Set Designer Batul Rizvi.   “The challenge from the beginning was how do we create this world in which the actors can tell this story, from the danger of the hounds and the moors to the creepiness of Baskerville?”

Despite the many moving parts and the extensive preparation that goes into a production like this, the goal, Kubik said, has remained simple. “What we want to do with this show is to thrill the audience.  That could be the thrill of suspense, of danger, or of comedy.  Because this is definitely a comedy, but it is also Sherlock Holmes, so there is plenty of real suspense there as well.  I think there are plenty of thrills to go around.”

The 2017 Heritage Theatre Festival will continue with the classic Stephen Sondheim musical Company, featuring all-time classic Broadway hits like “Being Alive” (July 28-August 4 in the Culbreth Theatre). Putting an exclamation point on the season’s proceedings this summer will be International Clown Hall of Fame member Barry Lubin, the face of the Big Apple Circus, who will bring his iconic and irrepressible character “Grandma” for performances in the Ruth Caplin Theatre on August 4 and 5.

Parking for Heritage Theatre Festival performances is available at the Culbreth Road Parking Garage, conveniently located alongside the theaters.

Meeeeeet Robbie Flanagan!

*Hype Horn Sound* Meeeeeet Robbie Flanagan! An integral part of our amazing costuming department that is currently working overtime to make sure that the madness that is Ken Ludwig’s Baskerville goes off without a hitch. Read on to learn more about him!

What is your job here at Heritage?

I am the Costume Design Assistant for Heritage this summer. I assist all the costume designers on the shows this season-- taking notes in fittings, keeping budgets on track, making sure actors feel comfortable. A lot of my job is talking and making sure nobody completely loses their mind. Along with that, I also do the finance work for the costume shop. I create expense reports and track all purchases that circle through the shop on a system called Chrome River. All I have to say about that is that Chrome River is a cruel mistress.

How did you first get involved in theatre? When did you realize that it was something you wanted to be a part of for the rest of your life?

My first taste of theatre was in first grade. My teacher wrote a musical about marine life and I played the starfish. I sang "It's my Party"-- the classic diva song by Leslie Gore. Of course I absolutely loved it and have been hooked every since. Now-a-days, I don't act as much. I am exploring pretty much everything else--costume design, directing, arts administration. Where I will end up.... who knows.

What is your favorite play or musical?

I have always wanted to play Edna Turnblad in Hairspray. The music, the dancing, the spectacle of it all. CLASSIC. I hear Harvey Fierstein in my DREAMS. I mean, how can you not? Truly legendary.

What is your favorite thing to do in Cville?

I went to karaoke at Wild Wings Cafe and had a blast. Definitely something to do with a group while in Cville. You don't even have to sing... the atmosphere is what makes it fun. I, personally, love dancing to the sounds of the not-so-trained vocalists.

What is your favorite non-theatre related activity?

I love to kayak. Back home in Boston, I go kayaking on the Charles River whenever I can. It's amazing to just be on the water and rowing along.

Desert island questions: you can only bring the following to a desert island, what do you choose:

-Book-- Fallen by Lauren Kate (It's basically Twilight with Angels. Judge me)

-Movie-- Clue. I could watch Madeleine Kahn as Mrs.White for HOURS. "Flames... on the side of my face"

-TV show-- Nurse Jackie

-Two food items-- Pizza and Pasta (I love carbs)

What show are you most looking forward to this season?

Due to the amount of pure insanity, I am most looking forward to Baskerville

Star Wars or Star Trek?

Star Wars.... is that even a question?

Marvel Comics or DC?

Marvel. Love me some Tobey Maguire Spider-Man.

Dogs or Cats?

Dogs. Cats always hate me.

Coke or Pepsi

Pepsi. My mother would be ashamed of me if I ever said I preferred coke.

Company Member Profile - Hannah Bergere

We’re back at it again with another Company Member Profile! This time it is our pleasure to introduce you to Hannah Bergere. Recently of Elon University and now one of our kickbutt stage managers. Read on to find out more!

1) What is your job here at Heritage?

Production Stage Manager for Middletown & Baskerville. I'm in the rehearsals basically making sure everything goes as planned and stays on track. I'm constantly taking notes on what changes in rehearsals and documenting everything. Once we get into technical rehearsals and performances I'm the one calling the light and sound cues so that everything can look and sound like it's supposed to on stage. It's a lot of fun!

2) How did you first get involved in theatre? When did you realize that it was something you wanted to be a part of for the rest of your life?

I started acting in middle school, and during high school I discovered tech. I became a stage manager my senior year of high school and fell in love. I then chose to go to college for stage management, and the rest is history!

3) What is your favorite play or musical?

Next to Normal. I have stage managed it, but I also just love the show. I'm partial to rock musicals.

4) What is your favorite thing to do in Cville?

This is my first time in Cville, so I've loved exploring, especially finding all the great places to eat!

5) What is your favorite non-theatre related activity?

Getting off of work and hanging with friends, and also binging Netflix shows!

6) Desert island questions: you can only bring the following to a desert island, what do you choose:

-Book- If I'm allowed a series... it would definitely be Harry Potter.

-Movie- Forrest Gump

-TV show- Gilmore Girls

-Two food items- Peanut Butter, Mac & Cheese (but I wouldn't eat them together)

7) What show are you most looking forward to this season?

I'm biased but... Baskerville!

8) Star Wars or Star Trek

I've never seen either fully.... but Star Wars

9) Marvel Comics or DC?


10) Dogs or Cats?


11) Coke or Pepsi



It's really all happening now!

It’s really all happening now at Heritage! Over these past few days we hit that unique point in our season where every single show we are presenting this summer was being worked on in one way or another throughout the building. Middletown had a wonderful closing weekend of performances, while Woody Guthrie’s American Song opened their run! Meanwhile in other corners of the building Chapatti (which opens THIS WEEKEND) was in tech, Baskerville was in the midst of rehearsals (running scared from Giant Hounds and changing costumes), and Company was having their very first music rehearsal. It’s all hands on deck here at Heritage, and the building has never felt so alive. Every department is busy from lights, to props, to box office (click the link above to make sure they stay busy).

But while we work hard at Heritage, we think you’ll agree that it’s also important to take opportunities when possible to kick back, relax, and celebrate a little. So last Thursday night with that mantra in mind we all charged off to Travinia Italian Kitchen and Bar, following the preview performance of Woody Guthrie’s American Song. Once we arrived we were treated to a wonderful selection of pasta dishes and appetizers, not to mention two very skilled bartenders. It was a wonderful moment for everyone to chat about the season so far and what was still to come.

Not satisfied with just one event involving food, we were already back to stuffing our faces yesterday on the 4th of July, when we held a “Hot Dog Cookout” following our matinee performance of Woody Guthrie’s American Song. Widely regarded King of the Grill, Steve Warner was back out in full force serving up all kinds of hot dogs to patrons and company members alike. A great kick off to all of our Independence Day celebrations!

Now, I can’t end this blog without giving a quick shout out to the amazing work that is happening in our Helms Theatre, at this very moment. Chapatti which we mentioned opens this weekend, is a touching love story between two neighbors in the latter years of their lives. This is a small and very personal show and we couldn’t imagine a better powerhouse trio to be handling it than Richard Warner, Judith Reagan, and Doreen Bechtol. There is a special magic that can happen in a rehearsal room when you bring together people who not only love their craft, but have successfully devoted their lives to it, as these three have done. Written by Christian O’Reilly, this show will touch, delight, and remind you of the beauty of connection. Read more about it in this lovely UVA Today Article.

Thanks again for stopping by, and we’ll see you at the theater!

Company Member Profile - James Scales

Welcome back to our Company Member Profile series on the Heritage Blog! Today we want to introduce you to the one the only James Scales!

While a lot of people reading this might recognize you from your turns on the stage, would you mind taking a moment to describe what it is you do for Heritage on a day to day basis? When you aren't performing that is.

I’m the business manager, both for Heritage and the UVA Department of Drama.  If it involves money coming in or going out, it crosses my desk at some point. This morning I’m looking at a final proof of the Heritage playbill, making sure that all of Drama’s accounts are in good shape for fiscal year-end (and moving money around as necessary), reviewing a television ad, discussing how to put an out-of-town employee onto the payroll…. 

How did you first get involved in theatre? When did you realize that it was something you wanted to be a part of for the rest of your life?

I started acting when I was eleven.  I started thinking seriously about it as a career when I was a junior in college, but I wasn’t prepared to live the life of an actor—not knowing where or when your next job would be.  So I went to law school, my original plan A.  Three years out of law school, I started working here, where I’ve been able to act often enough to keep that side of me happy. 

What is your favorite play or musical?

I’ll go with shows I’ve worked on.  Favorite play: ARCADIA by Tom Stoppard.  I was Assistant Director to Betsy Tucker for UVA’s production in 1999.  JP Scheidler (who I’m thrilled to be working with again this summer) was Septimus.  First-year student Sarah Drew was Thomasina.  It was a lovely production.  The play is so rich and overflowing with ideas.  Favorite musical: THE 25TH ANNUAL PUTNAM COUNTY SPELLING BEE.  It was a show I loved from the first time I saw it in New York, and I was so happy to be a part of it here.  The cast is pretty much onstage the whole show, so we really became a tight ensemble.  We laughed so much in rehearsals.  We only had six performances, but I would have been happy doing that show indefinitely.

What is your favorite thing to do in Cville?

We used to live downtown when my oldest child was a newborn, and we loved to just take a turn down the length of the mall and back.  We’d always run into someone we knew.  Great people-watching!

What is your favorite non-theatre related activity?

Watching and talking movies.  I used to work at Sneak Reviews.  I miss that part of my life, when I got to talk movies every day. 

Desert island questions: you can only bring the following to a desert island, what do you choose:

  • Book  Complete Works of William Shakespeare
  • Movie  Peter Jackson’s THE LORD OF THE RINGS (extended edition). That counts as one!
  • TV show  Doctor Who (50 years worth of viewing material)
  • Two food items  Peanut Butter and Coffee

What show are you most looking forward to this season?

I’m looking forward to each of them in their own way.  How’s that for a non-answer!  I think the time is right to revisit Woody Guthrie’s anthems of economic justice, and I’m looking forward to seeing old friends and new ones in WOODY GUTHRIE’S AMERICAN SONG.  I’ve long admired the work of my friends Richard Warner and Jude Reagan, but I’ve never seen them onstage together, which is what CHAPATTI holds for me.  I can’t wait to see Bob Chapel tackle another Sondheim musical in the Culbreth (I don’t think he’s ever done one without me before!) with COMPANY.  BASKERVILLE and Barry Lubin promise to be tons of fun.  And, of course, I’m happy to be part of MIDDLETOWN with my daughter Colleen.  That experience has been a treat!

Star Wars or Star Trek?

I love me some Star Trek, but watching Star Wars can still make me feel like I’m nine years old again. I’m so happy to be able to share that experience with my own children with the new films.  (I don’t let them watch the prequels. Life’s too short.)

Marvel Comics or DC?

I enjoy visiting DC several times a year. It’s an easy day trip from Charlottesville. You know what my favorite of the Marvel movies has been?  BIG HERO 6.  I don’t think a lot of people saw it, but it’s very good.

Dogs or Cats?

We promised our children that they could have a pet when the older child is ten, which is now less than a year away.  When the weather is terrible, I try to point out “Boy! I’m sure glad I don’t have to take a dog for a walk in this rain/snow/microburst/derecho!”  Still, a year from now I’ll probably be a dog owner again. 

Coke or Pepsi

(Diet) Coke. 

Heritage Theatre Festival to present WOODY GUTHRIE'S AMERICAN SONG

Heritage Theatre Festival is celebrating America’s birthday this year with a musical tribute to one of our nation’s greatest cultural treasures. Woody Guthrie’s American Song, opening June 30 at Culbreth Theatre, is an acclaimed ensemble musical  that has been delighting audiences for more than a quarter of a century with its foot-stomping, hand-clapping, and soul-stirring tribute to a man whose unforgettable music and enduring spirit are deeply  woven into his beloved nation’s cultural fabric.

Woody Guthrie’s American Song, written by Peter Glazer (whose father was a longtime Guthrie sideman) and directed by Bryan Garey, will be presented in Culbreth Theatre from June 30 through July 8. Tickets for adults are $30 if purchased before June 30 and $35 if purchased on or after that date. Student/Child tickets are available for $15 regardless of when purchased. Single and season tickets for the 2017 Heritage Theatre Festival season are available at the UVA Arts Box Office (located in the lobby of the Drama Building), online at www.heritagetheatrefestival.org or by phone at 434-924-3376.

From “This Land is Your Land” to “900 Miles” to “Bound for Glory,” Woody Guthrie’s songs helped carry a nation through the dark days of the Great Depression and in many ways still carry it today, serving up lessons in humanity, humility, perseverance and hope that remain vitally important in the world we live in. They also served as an inspiration for a new generation of cultural standard bearers including Bruce Springsteen, Wilco, and U2, all of whom credit Guthrie as a primary influence.

 Woody Guthrie’s American Song, hailed as “A dazzling explosion of Guthrie’s genius” by the Boston Globe, features a talented array of actors and musicians who will take audiences on a musical journey and across a range of tales that are as vast as the country Guthrie cherished  - from the Dust Bowl to the California coast to the streets of New York City and beyond. The show also offers glimpses into Guthrie’s own life through his humble musings and deft and timeless insight.

The production will also feature a familiar face for local music lovers. Michael Clem, known for his work with the internationally-acclaimed band Eddie from Ohio and for his work locally with his Michael Clem Trio, will make his theatrical debut in the production. The move to the stage is serendipitous for Clem, who first got the folk “bug” as a child while watching Pete Seeger and Arlo Guthrie in a PBS concert broadcast.

Woody Guthrie’s American Song, Garey said, is far from your typical musical theatre experience.  “This is a folk concert/storytelling experience as much as anything. It’s a great chance for people to appreciate the work, and sort of humble genius, of an American master, no matter how much they knew about him coming in. We have had people working on the show who didn’t know much about Woody Guthrie, and now say they find themselves wanting to sing the whole time.”

One of the pillars of Guthrie’s simple genius is his ability to capture all of our most profound hopes and deepest fears, regardless of our age or era. “He is able to profoundly describe the human experience, including through great adversity,” Garey said. “And he has the supreme gift of being able to use music to help people deal with their insecurity in a turbulent world, and to provide them with real empathy and comfort –which is obviously something that we can use more of in our world today.”

Garey added that Guthrie’s songs and stories transcend political affiliations, and speak to a larger need to come together as people first. “He talks about the power of the people and that there is power in togetherness in a way that is not about liberals or conservatives. It’s a reminder that music has a unique power to inspire all of us to remember what is truly important.  This July will mark the 105th anniversary of his birth and here he is still pushing us, through his music, to be better.”

The show’s appeal also transcends generational boundaries, Garey said. “This is a great evening that can be shared by an entire family that features great storytelling, fascinating history, and absolutely incredible music.”

The 2017 Heritage Theatre Festival will continue with Chapatti, Christian O’Reilly’s touching drama about an unusual bond forged  by late-in-life neighbors around finding homes for their respective pets (July 6-15 in the Helms Theatre); Ken Ludwig’s Baskerville: A Sherlock Holmes Mystery, a madcap whodunit in which five actors play 40 characters (July 22-29 in the Ruth Caplin Theatre) and Stephen Sondheim’s classic musical Company, featuring all-time classic Broadway hits like “Being Alive” (July 28-August 4 in the Culbreth Theatre). Putting an exclamation point on the season’s proceedings this summer will be International Clown Hall of Fame member Barry Lubin, the face of the Big Apple Circus, who will bring his iconic and irrepressible character “Grandma” for performances at the Ruth Caplin Theatre on August 4 and 5.

Parking for Heritage Theatre Festival performances is available at the Culbreth Road Parking Garage, conveniently located alongside the theaters.

 Cast of Woody Guthrie's American Song

Interview with Director Bryan Garey

If you enjoyed last week’s interview with Colleen Kelly, then we hope you’ll dig this. This weekend we sat down with the one, the only, Bryan Garey to talk about the unique challenges of directing Woody Guthrie’s American Song; you’ll find our interview below!

Hi Bryan! Thanks for taking time to answer a few questions. With Woody Guthrie’s American Song opening this week, we just wanted to sit down with you and get your thoughts on the show and your team’s process. Let’s dive right in - What was your experience with Woody Guthrie prior to directing this show?

Like most folks, my knowledge of Woody Guthrie was limited to “influential folk singer and song writer” and “This Land is Your Land.”  This wonderful piece exposes all of us to his incredible music, so beautiful, melodic, and meaningful.  And, it introduces us to his life story and the stories of people during his lifetime.  Like us, folks were going through tough times and Woody found a way to provide insight, empathy, and comfort through his words and music.

Guthrie’s catalog ranges from the obscure to the, well, "This Land is Your Land" - did you feel a need to balance the show relative to each song's individual fame?

The music is so good, no balancing was needed.  What we try to do is honor the music by performing it well and also bringing the audience into the time and the work.  Folks will be singing along and leave the theatre humming the tunes and, I hope, reflecting on Woody’s life and work.  Many may also find comfort in the music as it is universal and is relevant to our struggles today.

Your cast came to this process with a very diverse skill set, and range of experiences as performers. What work did you do to unite those talents to a cohesive vision?

We rehearsed as a team the entire 3-week process and created an open and collaborative environment where many good ideas where shared and incorporated from everyone throughout the rehearsal time.  We also tapped into strengths…different musical talents, comic talents, etc., so that this is truly an ensemble piece.

What was your favorite part about working on this show? And what would you like your audience to feel when the curtain closes?

The music, first and foremost.  People will love the songs and performances.  And, as a bonus, they will learn about Woody and the American people of the 30’s and 40’s.  Finally, they may even be surprised as how much this work is alive and relevant today.  We need relief and comfort from the day-to-day struggles we all face.  Woody Guthrie provided that in his time and for our time, too.

Thanks again Bryan, really looking forward to seeing the show this weekend! Can’t wait to see what this ensemble has created!

If you haven’t yet, clink the box office link at the top of the page and grab your tickets now! On the 4th of July we’re doing a special matinee followed by a hot dog cookout for the Company and all those attending the matinee! A pretty cool way to kick off your Independence Day celebrations!


Thank you to our 2018 Sustaining and Season Sponsors